The 50 Best Films of the 2020s (30-26)

In the latest installment of our ‘Best Films of the 2020s,’ we take a look at a few films the devastated us emotionally.


30. La Chimera (Dir. Alice Rohrwacher)

In La Chimera, Alice Rohrwacher crafts a vivid, almost mythical world that feels like a living fable. This film succeeds on multiple fronts: it’s an adventure, a comedy, a drama, and even a romance. It follows Arthur (played by Josh O’Connor), a recently imprisoned archaeologist who reconnects with his old crew of grave robbers. The plot unfolds like a treasure hunt, both literally and psychologically, diving into themes of loss, redemption, and the human connection to the past. What truly sets La Chimera apart is its subtle yet powerful storytelling. Rohrwacher has created a world that feels both grounded and ethereal, where the past and present blend together.

29. The Father (Dir. Florian Zeller)

When I set out to create a list of films that offer experiences unlike any other, The Father immediately came to mind. Florian Zeller’s film is an unsettling, brilliant exploration of the mind of a man (played with a heartbreaking intensity by Anthony Hopkins) who is losing his grip on reality due to Alzheimer’s disease. It doesn’t feel like a movie but instead an experience, one that puts you in the shoes of someone grappling with a mind that’s slowly slipping away.

What makes The Father so extraordinary is its ability to make the audience feel the disorienting, terrifying confusion of its central character. Zeller’s screenplay is structured in a way that distorts time and space, leaving you just as lost and uncertain as Hopkins’s character. It’s a haunting portrayal of a disease that robs not just the individual but their loved ones as well.

28. Aftersun (Dir. Charlotte Wells)

Aftersun is a quiet masterpiece about memory, about the fleeting moments of childhood that we carry with us into adulthood, often without fully understanding their weight. The film centers on a preteen girl looking back on a vacation she took with her father. On the surface, it’s a simple story, but beneath that simplicity lies a constant tension. Director Charlotte Wells (in her directorial debut) masters subtlety, revealing the complexities of their relationship bit by bit. The film builds slowly until finally exploding in the final act. Aftersun doesn’t just tell a story, it evokes a feeling of bittersweet longing.

27. Challengers (Dir. Luca Guadagnino)

Challengers is a whirlwind of ambition, desire, and lust, all set against the intense world of competitive tennis. It’s a film that taps into those raw, primal emotions driving us toward greatness—or causing us to implode under the weight of our aspirations.

Writer Justin Kuritzkes and director Luca Guadagnino craft a narrative that unfolds like a tense tennis match, bouncing back and forth between the present and the past. Guadagnino expertly directs, imbuing the film with the pulsating energy of a real sports contest. The thrill of the game mirrors the emotional turmoil and triumphs in the characters’ personal lives, making every serve and rally feel intertwined with the deeper struggles they face. Challengers is a potent cocktail of ambition, love, and emotional depth that leaves you breathless.

26. Sing Sing (Dir. Greg Kwedar)

Sing Sing is a film that could have easily veered into sentimentalism, with its plot revolving around the transformative power of art in prison. But thanks to the vision of director Greg Kwedar, it transcends the usual prison movie tropes. Set within the walls of a maximum-security facility, the film follows a group of incarcerated individuals as they channel their pain and experiences into artistic expression.

What makes Sing Sing so powerful is its authenticity. Kwedar’s decision to cast an ensemble of (mostly) formerly incarcerated actors involved in similar art programs gives the film an unflinching sense of realism. These are real stories told by those who have lived them. Kwedar’s patient direction allows the actors to share their experiences without embellishment, creating a narrative that feels deeply personal and raw.


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